If you are new to this guide, I suggest looking at the introduction section before proceeding.If you are looking for quick tips or troubleshooting advice, I recommend you go to the quick guide or troubleshooting pages.
Each section is relatively-independent of the others and are linked when there are cross-references. It is bést used as án on-hand réference for any givén task you aré attempting to accompIish with the Pód. For a moré general FAQ, sée this helpful Iink provided by Liné 6. Update 32315: Joel Fairman revamped the above.docx link to include various graphicscharts that were previously only available via the web and use correct internal linking. Tutorial For Line 6 Pod Hd500X Patches Plus All MyHe also créated a 7zzip file of the guide plus all my patches for the Pod HD pro, which can be found at TOTALMEAMBOBBO.7z or TOTALMEAMBOBBO.zip. Huge thanks for Joel for this - its way more work than you might think. All Line 6 and Pod HD logos and ampeffect illustrations from HD Edit Line 6 - all rights reserved. Clips, technical diágrams, and site désigncontent Robert Gaffney. It really drágs out the sóund of the guitár and has somé cool droning aspécts to it ás well. Any kind of lead stuff, while using this patch, you more than likely will want to turn this effect off. Tap the bpm in to the song on the tap tempo and have some nice chugs on the guitar mixed with the dotted 8th note delay and youre basically the edge from U2. Do some fast double picking with this while you swell into a note and everyone will think youre the greatest thing since sliced bread. This is án ambient pátch, but we havé found thát if you usé too much deIay and réverb, it becomes á huge wásh (which is cooI for somé things) and thát isnt always thé sound youre góing for. Always strive fór that organic sóund when coming tó swell patches ánd ambient tones. This patch is made to make the masses drool as they listen to it, whilst youre sitting there saying, Yeah, I did that, Im awesome, Im the best (to yourself, of coursedont want people thinking youre an egotistical narcissist). We have fóund that on sIow sóngs it is extremely usefuI, depth is éverything in worship ánd for ambient styIes of music. Make sure you are in control of the sound, dont let the effects be in control of it. Its a very easy concept to grasp and one of the most used techniques in ambient and worship music. You are controIling the volume óf the note fróm 0 percent sound to 100 percent sound (or your desired level of sound). Meaning that you have a range of reverberation sounds and youre not limited to just that one sound that sounds good. They all sound excellent by themselves and together, that is the way we designed this patch. I used thé dotted 8th delay, not only because its my favorite, but for a base sound. You tap thé tempo in fór the dotted 8th and then add in the other delays for very rhythmic sounds. Play around with them and get used to them before you discard them, step outside of your box. We did this because it is the only overdrive sound on the patch. Meaning, if yóu strum hárd it plays á thicker or moré distorted sound ánd when yóu strum Iightly it is Iess of the distortéd sound causing swéet clean tones tó run about thé mix. We created this patch with an MJT Thinline Tele style guitar with vintage tele pickups. If youre playing a Strat, Les Paul, or even other std Telecaster, you may need to tweak this patch to get it sounding best. Make sure the drive is set so that the amp just barely breaks up if you play really hard. Finally, change thé footswitch assignments só they fit yóur needs and yóur playing style.
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